Author: Tom Ling (Page 1 of 3)

Cill Cheannannach, Inis Meain

For almost a millennium,

when all their deeds that would be done were done,

the island brought its people here to bury them.

Now, fifty years since mourners sang their final sorrows,

the chapel’s wooden roof has fallen in on generations of loss.

In the graveyard, bones bed shallowly on carboniferous rocks

and, above, flat gravestones announce each life’s scant details.

The bones beneath are grown by this island;

cartilage scaffolds new growth, tissues grow longer and wider

until collagen ossifies, for a first short life, in flesh

anticipating a longer second life in Cill Cheannannach,

where each bone waits beneath its chosen stone.

Funeral Procession, Inis Meain

They appeared by our kitchen window,

some sombrely on foot,

others in more cars, we thought, than were on the island.

At the front, a green van had been repurposed as an adequate hearse.

At the rear, hurried two mopeds and a bike.

Give or take, the whole island was there.

With my hands in the washing-up,

I watched their sad-slow journey down the hill,

an ancient, organic commonality,

to the graveyard by the sea.

Any differences, I fancied, put to one side in the makeshift hearse.

It is right that a funeral should pause our routine tasks

and draw us closer to the living.

Facing death, our minds slide like hobnail boots on scree,

without grip, our thoughts fall through our guts,

air in our lungs expands until we cannot speak

our hearts choke our mouths.

So, lost for words, it is human touch we dumbly seek.

Now, the burial is over, the group divides.

A mother waits while her child picks daisies,

the late arriving youth hurries back to his bike,

cars are started quietly, and, muffled, move slowly up the hill,

and one small group remains silently by the freshly dug earth.

Later that night, we join the wake.

It was in the mourners left the graveside in ones and twos,

now, eased by community, Guiness and sandwiches,

grief no longer displaces words,

and tongues can talk without the taste of death,

the child with the daisies has made of her mother a bed,

draping her with red hair and her best black frock,

muscular arms which that morning had wrangled sheep

now reach out to each other past the slurry of sadness.

Gradually, thoughts in the room turn to days ahead,

cattle to be seen to, and children put to bed.

For Essex Hemphill (1957-1995)

Find Heaven

Gnaoua Music

Anna. A birthday poem, March 2025

This is a heist

A reflection on…
…well read it and decide

Buried with care

This poem describes my travels during the summer of 2024. At some point towards the end, when we were staying in Hartland, North Devon, I realised that there was an unexpected connection in the poems I had written about each stage of my journey. I felt they worked best as a single piece and this is ‘Buried with Care’.

You think you are done with love (but love is not done with you)

There is a theme in traditional music where we sing about betrayed women who are done with love. A wonderful example is Eliza Carthy singing ‘Awake, Awake’ which is also linked to songs like Drowsy Sleeper and Silver Dagger. The woman is most often a victim, forlorn and lost in the song. So in this version I remind her that she is loved and even if she thinks she is done with love, love is not done with her. I should also confess that this line was repurposed from a public health message which said ‘you think you are done with COVID but COVID is not done with you’.

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